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nydus/The Tale of GenjiPublic

Murasaki Shikibu, a lady-in-waiting to Empress Akiko in the early eleventh century, writes this multi-volume work during her time at court. The narrative is established as a classic of Japanese literature by 1022 and features a structure comprising fifty-four chapters.

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CHAPTER IX AOI

thus desolate in the last years of life is a sore trial, a very sore trial indeed....’ The effort which it cost him to say these words was distressing for Genji to watch and he hastened to assure the old Minister that he would make matters right at the Court. ‘Though I do not doubt,’ he added, ‘that my father has already guessed the reason of your absence.’ As it was still raining heavily the Minister urged him to start before it grew quite dark. But Genji would not leave the house till he had taken a last look at the inner rooms. His father-in-law followed him. In the space beyond Aoi’s curtained seat, packed away behind a screen, some thirty gentlewomen all clad in dark grey weeds were huddled together, forlorn and tearful. ‘These hapless ladies,’ said the Minister, turning to Genji, ‘though they take some comfort in the thought that you are leaving behind you one whose presence will sometimes draw you to this house, well know that it will never again be your rightful home, and this distresses them no less than the loss of their dear mistress. For years they had hoped against hope that you and she would at last be reconciled. Consider then how bitter for them must be the day of this, your final departure.’ ‘Let them take heart’ said Genji; ‘for whereas while my lady was alive I would often of set purpose absent myself from her in the vain hope that upon my return I should find her less harshly disposed towards me, now that she is dead I have no longer any cause to shun this house, as soon you shall discover.’

When he had watched Genji drive away, Aoi’s father went to her bedroom. All her things were just as she had left them. On a stand in front of the bed writing materials lay scattered about. There were some papers covered with Genji’s handwriting, and these the old man clasped with an eagerness that made some of the gentlewomen who had followed him smile even in the midst of their grief. The works that Genji had written out were all masterpieces of the past, some Chinese, some Japanese; some written in cursive, some in full script; they constituted indeed an astonishing display of versatile penmanship. The Minister gazed with an almost religious awe at these specimens of Genji’s skill, and

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