Her women, half demented, danced around her. They tore their flesh with fingernails, defiled their faces, and raised an endless chant, reviewing all the charms and virtues of the dear one, his mother’s love, the blackness of the world, each verse concluding with a shriek of “O calamity!” It was the triumph-song of death.

Robbed of the corpse, the funeral over, they thronged her chamber, keeping up the ghastly round, the death-chant, in the hope to give her tears. Her petrifaction filled them with dismay. To women who accept with rapture all life’s chances, whose custom is to celebrate each blow that strikes them and magnify it as a witness to the power of God, her stony apathy appeared uncanny. They increased their efforts, while Umm ed-Dahak poured into her ear a song of memory designed to loose the frozen fountain of despair.