windows, the rooms were full to overflowing. There were sounds of singing, of clarinet and violin, and the boom of a Turkish drum. He could hear women shrieking. He was about to turn back wondering why he had come to the X⸺ Prospect, when suddenly at one of the end windows he saw Svidrigaïlov, sitting at a tea-table right in the open window with a pipe in his mouth. Raskolnikov was dreadfully taken aback, almost terrified. Svidrigaïlov was silently watching and scrutinising him and, what struck Raskolnikov at once, seemed to be meaning to get up and slip away unobserved. Raskolnikov at once pretended not to have seen him, but to be looking absentmindedly away, while he watched him out of the corner of his eye. His heart was beating violently. Yet, it was evident that Svidrigaïlov did not want to be seen. He took the pipe out of his mouth and was on the point of concealing himself, but as he got up and moved back his chair, he seemed to have become suddenly aware that Raskolnikov had seen him, and was watching him. What had passed between them was much the same as what happened at their first meeting in Raskolnikov’s room. A sly smile came into Svidrigaïlov’s face and grew broader and broader. Each knew that he was seen and watched by the other. At last Svidrigaïlov broke into a loud laugh.
“Well, well, come in if you want me; I am here!” he shouted from the window.
Raskolnikov went up into the tavern. He found Svidrigaïlov in a tiny back room, adjoining the saloon in which merchants, clerks and numbers of people of all sorts were drinking tea at twenty little tables to the desperate bawling of a chorus of singers. The click of billiard balls could be heard in the distance.