For the first time since I had heard that he was about to go into vaudeville I felt a faint hope creeping over me. I was sorry for the wretched chap, of course, but there was no denying that the thing had its bright side. No management on earth would go on paying thirty-five dollars a week for this sort of performance. This was going to be Gussie’s first and only. He would have to leave the profession. The old boy would say, “Unhand my daughter.” And, with decent luck, I saw myself leading Gussie on to the next England-bound liner and handing him over intact to Aunt Agatha.

He got through the song somehow and limped off amidst roars of silence from the audience. There was a brief respite, then out he came again.

He sang this time as if nobody loved him. As a song, it was not a very pathetic song, being all about coons spooning in June under the moon, and so on and so forth, but Gussie handled it in such a sad, crushed way that there was genuine anguish in every line. By the time he reached the refrain I was nearly in tears. It seemed such a rotten sort of world with all that kind of thing going on in it.