and toed the mark for his most substantial chunk of entertainment. The heroine had been saying something—I forget what—and all the chorus, with Cyril at their head, had begun to surge round her in the restless sort of way those chappies always do when there’s a number coming along.
Cyril’s first line was, “Oh, I say, you know, you mustn’t say that, really!” and it seemed to me he passed it over the larynx with a goodish deal of vim and je-ne-sais-quoi . But, by Jove, before the heroine had time for the comeback, our little friend with the freckles had risen to lodge a protest.
“Pop!”
“Yes, darling?”
“That one’s no good!”
“Which one, darling?”
“The one with a face like a fish.”
“But