the Tough Eggs, who yelled with enthusiasm. It was jam for the Tough Eggs.
And then the lights went out again.
When they went up, some minutes later, they disclosed the Squire marching stiffly out at the head of his family, fed up to the eyebrows; the Burgess girl at the piano with a pale, set look; and the curate gazing at her with something in his expression that seemed to suggest that, although all this was no doubt deplorable, he had spotted the silver lining.
The show went on once more.
There were great chunks of Plays-for-the-Tots dialogue, and then the girl at the piano struck up the prelude to that Orange-Girl number that’s the big hit of the Palace revue. I took it that this was to be Bingo’s smashing act one finale.
The entire company was on the stage, and a clutching hand had appeared round the edge of the curtain, ready to pull at the right moment. It looked like the finale all right. It wasn’t long before I realised that it was something more. It was the finish.
I take it you know that Orange number at the Palace? It goes:
Oh, won’t you something something oranges, My something oranges, My something oranges; Oh, won’t you something something something I forget, Something something something tumty tumty yet: Oh—
or words to that effect. It’s a dashed clever lyric, and the tune’s good, too; but the thing that made the number was the business where the girls take oranges out of their baskets, you know, and toss them lightly to the audience. I don’t know if you’ve ever