THE ENGLISH.
And yet, with all thy theoretic platitudes, what a depth of practical sense in thee, great England! A depth of sense, of justice, and courage; in which, under all emergencies and world-bewilderments, and under this most complex of emergencies we now live in, there is still hope, there is still assurance!
The English are a dumb people. They can do great acts, but not describe them. Like the old Romans, and some few others, their Epic Poem is written on the Earth's surface: England her Mark! It is complained that they have no artists: one Shakspeare indeed; but for Raphael only a Reynolds; for Mozart nothing but a Mr. Bishop: not a picture, not a song. And yet they did produce one Shakspeare: consider how the element of Shakspearean melody does lie imprisoned in their nature; reduced to unfold itself in mere Cotton-mills, Constitutional Governments, and suchlike;—all the more interesting when it does become visible, as even in such unexpected shapes it succeeds in doing! Goethe spoke of the Horse, how impressive, almost affecting it was that an animal of such qualities should stand obstructed so; its speech nothing but an inarticulate neighing, its handiness mere hoofiness, the fingers all constricted, tied together, the finger-nails coagulated into a mere hoof, shod with iron. The more significant, thinks he, are those eye-flashings of the generous noble quadruped; those prancings, curvings of the neck clothed with thunder.
A Dog of Knowledge has free utterance; but the Warhorse is almost mute, very far from free! It is even so. Truly, your freest utterances are not by any means always the best: they are the worst rather; the feeblest,