bed and looked fixedly on Valentine. The dim light, the profound silence, and the gloomy thoughts inspired by the hour, and still more by her own conscience, all combined to produce a sensation of fear; the poisoner was terrified at the contemplation of her own work.
At length she rallied, drew aside the curtain, and leaning over the pillow gazed intently on Valentine. The young girl no longer breathed, no breath issued through the half-closed teeth; the white lips no longer quivered—the eyes were suffused with a bluish vapor, and the long black lashes rested on a cheek white as wax. Madame de Villefort gazed upon the face so expressive even in its stillness; then she ventured to raise the coverlet and press her hand upon the young girl’s heart. It was cold and motionless. She only felt the pulsation in her own fingers, and withdrew her hand with a shudder. One arm was hanging out of the bed; from shoulder to elbow it was moulded after the arms of Germain Pillon’s “Graces,” but the forearm seemed to be slightly distorted