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Chapter III The Essentials of the Kula

they changed hands, and how their temporary possession was a great sign of the importance and glory of the village. The analogy between the European and the Trobriand vaygu’a (valuables) must be delimited with more precision. The Crown jewels, in fact, any heirlooms too valuable and too cumbersome to be worn, represent the same type as vaygu’a in that they are merely possessed for the sake of possession itself, and the ownership of them with the ensuing renown is the main source of their value. Also both heirlooms and vaygu’a are cherished because of the historical sentiment which surrounds them. However ugly, useless, and—according to current standards—valueless an object may be, if it has figured in historical scenes and passed through the hands of historic persons, and is therefore an unfailing vehicle of important sentimental associations, it cannot but be precious to us. This historic sentimentalism, which indeed has a large share in our general interest in studies of past events, exists also in the South Seas. Every really good Kula article has its individual name, round each there is a sort of history and romance in the traditions of the natives. Crown jewels or heirlooms are insignia of rank and symbols of wealth respectively, and in olden days with us, and in New Guinea up till a few years ago, both rank and wealth went together. The main point of difference is that the Kula goods are only in possession for a time, whereas the European treasure must be permanently owned in order to have full value.

Taking a broader, ethnological view of the question, we may class the Kula valuables among the many “ceremonial” objects of wealth; enormous, carved and decorated weapons, stone implements, articles of domestic and industrial nature, too well decorated and too clumsy for use. Such things are usually called “ceremonial,” but this word seems to cover a great number of meanings and much that has no meaning at all. In fact, very often, especially on museum labels, an article is called “ceremonial” simply because nothing is known about its uses and general nature. Speaking only about museum exhibits from New Guinea, I can say that many so-called ceremonial objects are nothing but simply overgrown objects of use, which preciousness of material and amount of labour expended have transformed into reservoirs of condensed economic value. Again, others are used on festive occasions, but play no part whatever in rites and ceremonies, and serve for decoration only, and these might be called objects of parade (comp. Chap. VI, Div. I). Finally, a number of these articles function actually as instruments of a magical or religious rite, and belong to the intrinsic apparatus of a ceremony. Such and such only could be correctly called ceremonial. During the So’i feasts among the Southern Massim, women carrying polished axe blades in fine carved handles, accompany with a rhythmic step to the beat of drums, the entry of the pigs and mango saplings into the village (see Plates V and VI). As this is part of the ceremony and the axes are an indispensable accessory, their use in this case can be legitimately called “ceremonial.” Again, in certain magical ceremonies in the Trobriands, the towosi (garden magician) has to carry a mounted axe blade on his shoulders, and with it he delivers a ritual blow at a kamkokola structure (see Plate LIX; compare Chapter II, Division IV).

The vaygu’a—the Kula valuables—in one of their aspects are overgrown objects of use. They are also, however, ceremonial objects in the narrow and correct sense of the word. This will become clear after perusal of the following pages, and to this point we shall return in the last chapter.

It must be kept in mind that here we are trying to obtain a clear and vivid idea of what the Kula valuables are to the natives, and not to give a detailed and circumstantial description of them, nor to define them with precision. The comparison with the European heirlooms or Crown jewels was given in order to show that this type of ownership is not entirely a fantastic South Sea custom, untranslatable into our ideas. For—and this is a point I want to stress—the comparison I have made is not based on purely external, superficial similarity. The psychological and sociological forces at work are the same, it is really the same mental attitude which makes us value our heirlooms, and makes the natives in New Guinea value their vaygu’a.

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