The following forenoon Cortés sent to announce that he would make a return visit, and several officers came to escort him. Arrayed in his finest attire, with Alvarado, Velazquez de Leon, Ordaz, Sandoval, and five soldiers, he proceeded to the residence of Montezuma, in the new palace as it has been called, situated in the south-east corner of the great temple plaza.34 If they had admired the palace forming their own
quarter, how much more charmed were they with this, “which has not its equal in Spain,” exclaims Cortés.
The exterior presented an irregular pile of low buildings of tetzontli, raised upon high foundations, and communicating with the square by twenty doors, over which were sculptured the coat of arms of the kings of Mexico. The buildings were so arranged as to inclose three public squares, and contained an immense number of rooms and halls, one of them large enough to hold three thousand men, it is said. Several suites were reserved for royal visitors, envoys, and courtiers, while others were assigned for the emperor’s private use, for his harem and his attendants. Large monoliths adorned the halls or supported marble balconies and porticos, and polished slabs of different kinds of stone filled the intervening spaces or formed the floors. Everywhere, on projections and supports, in niches and corners, were evidences of the artist’s skill in carvings and sculptures, incised and in relief.
After being conducted through a number of courts, passages, and rooms, partly for effect, the Spaniards were ushered into the audience-chamber, and removed their hats as Montezuma advanced to receive them. Leading Cortés to the throne, he seated him at his right hand, the rest being offered seats by the attendants. Around stood with downcast eyes a