For when he had read for an hour or so in Sir Thomas Browne, and the bark of the stag and the call of the night watchman showed that it was the dead of night and all safe asleep, he crossed the room, took a silver key from his pocket, and unlocked the doors of a great inlaid cabinet which stood in the corner. Within were some fifty drawers of cedar wood, and upon each was a paper neatly written in Orlando’s hand. He paused, as if hesitating which to open. One was inscribed “The Death of Ajax,” another “The Birth of Pyramus,” another “Iphigenia in Aulis,” another “The Death of Hippolytus,” another “Meleager,” another “The Return of Odysseus”—in fact there was scarcely a single drawer that lacked the name of some mythological personage at a crisis of his career. In each drawer lay a document of considerable size all written over in Orlando’s hand. The truth was that Orlando had been afflicted thus for many years. Never had any boy begged apples as Orlando begged paper; nor sweetmeats as he begged ink. Stealing away from talk and games, he had hidden himself behind curtains, in priest’s holes, or in the cupboard behind his mother’s bedroom which had a great hole in the floor and smelt horribly of starling’s dung, with an inkhorn in one hand, a pen in another, and on his knee a roll of paper. Thus had been written, before he was turned twenty-five, some forty-seven plays, histories, romances, poems; some in prose, some in verse; some in French, some in Italian; all romantic, and all long. One he had had printed by John Ball of the Feathers and Coronet opposite St. Paul’s Cross, Cheapside; but though the sight of it gave him extreme delight, he had never dared show it even to his mother, since to write, much more to publish, was, he knew, for a nobleman an inexpiable disgrace.
Now, however, that it was the dead of night and he was alone, he chose from this repository one thick document called “Xenophila a Tragedy,” or some such title, and one thin one, called simply “ The Oak Tree ” (this was the only monosyllabic title among the lot), and then he approached the inkhorn, fingered the quill, and made other such passes as those addicted to this vice begin their rites with. But he paused.