It was autumn in London, that blessed season between the harshness of winter and the insincerities of summer; a trustful season when one buys bulbs and sees to the registration of one’s vote, believing perpetually in spring and a change of Government.
Morton Crosby sat on a bench in a secluded corner of Hyde Park, lazily enjoying a cigarette and watching the slow grazing promenade of a pair of snow-geese, the male looking rather like an albino edition of the russet-hued female. Out of the corner of his eye Crosby also noted with some interest the hesitating hoverings of a human figure, which had passed and repassed his seat two or three times at shortening intervals, like a wary crow about to alight near some possibly edible morsel. Inevitably the figure came to an anchorage on the bench, within easy talking distance of its original occupant. The uncared-for clothes, the aggressive, grizzled beard, and the furtive, evasive eye of the newcomer bespoke the professional cadger, the man who would undergo hours of humiliating tale-spinning and rebuff rather than adventure on half a day’s decent work.