Reginald slid a carnation of the newest shade into the buttonhole of his latest lounge coat, and surveyed the result with approval. “I am just in the mood,” he observed, “to have my portrait painted by someone with an unmistakable future. So comforting to go down to posterity as ‘Youth with a Pink Carnation’ in catalogue—company with ‘Child with Bunch of Primroses,’ and all that crowd.”
“Youth,” said the Other, “should suggest innocence.”