When Monte Cristo entered the boudoir, to which we have already once introduced our readers, and where the baroness was examining some drawings, which her daughter passed to her after having looked at them with M. Cavalcanti, his presence soon produced its usual effect, and it was with smiles that the baroness received the count, although she had been a little disconcerted at the announcement of his name. The latter took in the whole scene at a glance.

The baroness was partially reclining on a sofa, Eugénie sat near her, and Cavalcanti was standing. Cavalcanti, dressed in black, like one of Goethe’s heroes, with varnished shoes and white silk open-worked stockings, passed a white and tolerably nice-looking hand through his light hair, and so displayed a sparkling diamond, that in spite of Monte Cristo’s advice the vain young man had been unable to resist putting on his little finger. This movement was accompanied by killing glances at Mademoiselle Danglars, and by sighs launched in the same direction.