for convenience of language, to express my thought in a way altogether crude and even inexact by saying that our series of muscular sensations are classed in three classes corresponding to the three dimensions of space. Of course this classification is much more complicated than that, but that will suffice to make my reasoning understood. If I wish to imagine a fourth dimension, I shall suppose another series of muscular sensations, making part of a fourth class. But as all my muscular sensations have already been classed in one of the three pre-existent classes, I can only represent to myself a series belonging to one of these three classes, so that my fourth dimension is carried back to one of the other three.
What does that prove? This: that it would have been necessary first to destroy the old classification and replace it by a new one in which the series of muscular sensations should have been distributed into four classes. The difficulty would have disappeared.
It is presented sometimes under a more striking form. Suppose I am enclosed in a chamber between the six impassable boundaries formed by the four walls, the floor and the ceiling; it will be impossible for me to get out and to imagine my getting out. Pardon, can you not imagine that the door opens, or that two of these walls separate? But of course, you answer, one must suppose that these walls remain immovable. Yes, but it is evident that I have the right to move; and then the walls that we suppose absolutely at rest will be in motion with regard to me. Yes, but such a relative motion can not be arbitrary; when objects are at rest, their relative motion with regard to any axes is that of a rigid solid; now, the apparent motions that you imagine are not in conformity with the laws of motion of a rigid solid. Yes, but it is experience which has taught us the laws of motion of a rigid solid; nothing would prevent our imagining them different. To sum up, for me to imagine that I get out of my prison, I have only to imagine that the walls seem to open, when I move.
I believe, therefore, that if by space is understood a mathematical continuum of three dimensions, were it otherwise amorphous, it is the mind which constructs it, but it does not construct it out of nothing; it needs materials and models. These materials, like these models, preexist within it. But there is not a single model which is imposed upon it; it has choice; it may choose, for instance, between space of four and space of three dimensions. What then is the rôle of experience? It gives the indications following which the choice is made.
Another thing: whence does space get its quantitative character? It comes from the rôle which the series of muscular sensations play in its genesis. These are series which may repeat themselves, and it is from their repetition that number comes; it is because they can repeat themselves indefinitely that space is infinite. And finally we have seen, at the end of section 3, that it is also because of this that space is relative. So it is repetition which has given to space its essential characteristics; now, repetition supposes time; this is enough to tell that time is logically anterior to space.
7. Rôle of the Semicircular Canals
I have not hitherto spoken of the rôle of certain organs to which the physiologists attribute with reason a capital importance, I mean the semicircular canals. Numerous experiments have sufficiently shown that these canals are necessary to our sense of orientation; but the physiologists are not entirely in accord; two opposing theories have been proposed, that of Mach-Delage and that of M. de Cyon.
M. de Cyon is a