“No; nor do I know where he is. Also I warn you once more that you had better avoid such hints and ignoble suppositions; otherwise you will assuredly have to reckon with me.”
“What? In spite of our old friendship?”
“Yes, in spite of our old friendship.”
“Then I beg your pardon a thousand times, Mr. Astley. I meant nothing offensive to Mlle. Polina, for I have nothing of which to accuse her. Moreover, the question of there being anything between this Frenchman and this Russian lady is not one which you and I need discuss, nor even attempt to understand.”
“If,” replied Astley, “you do not care to hear their names coupled together, may I ask you what you mean by the expressions ‘this Frenchman,’ ‘this Russian lady,’ and ‘there being anything between them’? Why do you call them so particularly a ‘Frenchman’ and a ‘Russian lady’?”
“Ah, I see you are interested, Mr. Astley. But it is a long, long story, and calls for a lengthy preface. At the same time, the question is an important one, however ridiculous it may seem at the first glance. A Frenchman, Mr. Astley, is merely a fine figure of a man. With this you, as a Britisher, may not agree. With it I also, as a Russian, may not agree—out of envy. Yet possibly our good ladies are of another opinion. For instance, one may look upon Racine as a broken-down, hobbledehoy, perfumed individual—one may even be unable to read him; and I too may think him the same, as well as, in some respects, a subject for ridicule. Yet about him, Mr. Astley, there is a certain charm, and, above all things, he is a great poet—though one might like to deny it. Yes, the Frenchman, the Parisian, as a national figure, was in process of developing into a figure of elegance before we Russians had even ceased to be bears. The Revolution bequeathed to the French nobility its heritage, and now every