pantomime, which plays for choice the role of “righteous indignation.” Right into the hallowed chambers of knowledge can it make itself heard, can this hoarse yelping of sick hounds, this rabid lying and frenzy of such “noble” Pharisees (I remind readers, who have ears, once more of that Berlin apostle of revenge, Eugen Dühring, who makes the most disreputable and revolting use in all present-day Germany of moral refuse; Dühring, the paramount moral blusterer that there is today, even among his own kidney, the anti-Semites). They are all men of resentment, are these physiological distortions and worm-riddled objects, a whole quivering kingdom of burrowing revenge, indefatigable and insatiable in its outbursts against the happy, and equally so in disguises for revenge, in pretexts for revenge: when will they really reach their final, fondest, most sublime triumph of revenge? At that time, doubtless, when they succeed in pushing their own misery, in fact, all misery, into the consciousness of the happy; so that the latter begin one day to be ashamed of their happiness, and perchance say to themselves when they meet, “It is a shame to be happy! there is too much misery!