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nydus/The Principles of SciencePublic
Page 315 of 631
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CHAPTER XX. METHOD OF VARIATIONS.

Collective Experiments.

There is an interesting class of experiments which enable us to observe a number of quantitative results in one act. Generally speaking, each experiment yields us but one number, and before we can approach the real processes of reasoning we must laboriously repeat measurement after measurement, until we can lay out a curve of the variation of one quantity as depending on another. We can sometimes abbreviate this labour, by making a quantity vary in different parts of the same apparatus through every required amount. In observing the height to which water rises by the capillary attraction of a glass vessel, we may take a series of glass tubes of different bore, and measure the height through which it rises in each. But if we take two glass plates, and place them vertically in water, so as to be in contact at one vertical side, and slightly separated at the other side, the interval between the plates varies through every intermediate width, and the water rises to a corresponding height, producing at its upper surface a hyperbolic curve.

The absorption of light in passing through a coloured liquid may be beautifully shown by enclosing the liquid in a wedge-shaped glass, so that we have at a single glance an infinite variety of thicknesses in view. As Newton himself remarked, a red liquid viewed in this manner is found to have a pale yellow colour at the thinnest part, and it passes through orange into red, which gradually becomes of a deeper and darker tint.‍8 The effect may be noticed in a conical wine-glass. The prismatic analysis of light from such a wedge-shaped vessel discloses the reason, by exhibiting the progressive absorption of different rays of the spectrum as investigated by Dr. J. H. Gladstone.‍9

A moving body may sometimes be made to mark out its own course, like a shooting star which leaves a tail behind it. Thus an inclined jet of water exhibits in the clearest manner the parabolic path of a projectile. In Wheatstone’s Kaleidophone the curves produced by the combination of vibrations of different ratios are shown by placing bright reflective buttons on the tops of wires of various forms. The motions are performed so quickly that the eye receives the impression of the path as a complete whole, just as a burning stick whirled round produces a continuous circle. The laws of electric induction are beautifully shown when iron filings are brought under the influence of a magnet, and fall into curves corresponding to what Faraday called the Lines of Magnetic Force. When Faraday tried to define what he meant by his lines of force, he was obliged to refer to the filings. “By magnetic curves,” he says,‍10 “I mean lines of magnetic forces which would be depicted by iron filings.” Robison had previously produced similar curves by the action of frictional electricity, and from a mathematical investigation of the forms of such curves we may infer that magnetic and electric attractions obey the general law of emanation, that of the inverse square of the distance. In the electric brush we have a similar exhibition of the laws of electric attraction.

There are several branches of science in which collective experiments have been used with great advantage. Lichtenberg’s electric figures, produced by scattering electrified powder on an electrified resin cake, so as to show the condition of the latter, suggested to Chladni the notion of discovering the state of vibration of plates by strewing sand upon them. The sand collects at the points where the motion is least, and we gain at a glance a comprehension of the undulations of the plate. To this method of experiment we owe the beautiful observations of Savart. The exquisite coloured figures exhibited by plates of crystal, when examined by polarised light, afford a more complicated example of the same kind of investigation. They led Brewster and

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