religious sentiment, and which makes our highest happiness. Wonderful is its power to charm and to command. It is a mountain air. It is the embalmer of the world. It makes the sky and the hills sublime, and the silent song of the stars is it. It is the beatitude of man. It makes him illimitable. When he says ‘I ought’; when love warns him; when he chooses, warned from on high, the good and great deed; then, deep melodies wander through his soul from supreme wisdom. Then he can worship, and be enlarged by his worship; for he can never go behind this sentiment. All the expressions of this sentiment are sacred and permanent in proportion to their purity. [They] affect us more than all other compositions. The sentences of the olden time, which ejaculate this piety, are still fresh and fragrant. And the unique impression of Jesus upon mankind, whose name is not so much written as ploughed into the history of this world, is proof of the subtle virtue of this infusion.”
Such is the Emersonian religion. The universe has a divine soul of order, which soul is moral, being also the soul within the soul of man. But whether this soul of the universe be a mere quality like the eye’s brilliancy or the skin’s softness, or whether it be a self-conscious life like the eye’s seeing or the skin’s feeling, is a decision that never unmistakably appears in Emerson’s pages. It quivers on the boundary of these things, sometimes leaning one way, sometimes the other, to suit the literary rather than the philosophic need. Whatever it is, though, it is active. As much as if it were a God, we can trust it to protect all ideal interests and keep the world’s balance straight. The sentences in which Emerson, to the very end, gave utterance to this faith are as fine as anything in literature:
“If you love and serve men, you cannot by any hiding or stratagem escape the remuneration. Secret retributions are