that while he himself had been gathering laurels in the achievements of war, another glorious wreath was prepared by the Muses to adorn his temples; and that an intimation was given of his being afterwards celebrated in a work more congenial to the subject of heroic renown.
It is generally supposed that the Aeneid was written at the particular desire of Augustus, who was ambitious of having the Julian family represented as lineal descendants of the Trojan Aeneas. In this celebrated poem, Virgil has happily united the characteristics of the Iliad and Odyssey, and blended them so judiciously together, that they mutually contribute to the general effect of the whole. By the esteem and sympathy excited for the filial piety and misfortunes of Aeneas at the catastrophe of Troy, the reader is strongly interested in his subsequent adventures; and every obstacle to the establishment of the Trojans in the promised land of Hesperia produces fresh sensations of increased admiration and attachment. The episodes, characters, and incidents, all concur to give beauty or grandeur to the poem. * The picture of Troy in flames can never be sufficiently (169) admired! * The incomparable portrait of Priam, in Homer, is admirably accommodated to a different situation, in the character of Anchises, in the Aeneid. * The prophetic rage of the Cumaean Sibyl displays in the strongest colours the enthusiasm of the poet. * For sentiment, passion, and interesting description, the episode of Dido is a master-piece in poetry. But Virgil is not more conspicuous for strength of description than propriety of sentiment; and wherever he takes a hint from the Grecian bard, he prosecutes the idea with a judgment peculiar to himself. It may be