written from celebrated women of antiquity, to their husbands or lovers, such as Penelope to Ulysses, Dido to Aeneas, Sappho to Phaon, etc. These compositions are nervous, animated and elegant: they discover a high degree of poetic enthusiasm, but blended with that lascivious turn of thought, which pervades all the amorous productions of this celebrated author.
The elegies on subjects of love, particularly the Ars Amandi, or Ars Amatoria, though not all uniform in versification, possess the same general character, of warmth of passion, and luscious description, as the epistles.
The Fasti were divided into twelve books, of which only the first six now remain. The design of them was to deliver an account of the Roman festivals in every month of the year, with a description of the rites and ceremonies, as well as the sacrifices on those occasions.
It is to be regretted, that, on a subject so interesting, this valuable work should not have been transmitted entire: but in the part which remains, we are furnished with a beautiful description of the ceremonial transactions in the Roman calendar, from the first of January to the end of June.
The versification, as in all the compositions of this author, is easy and harmonious.
The most popular production of this poet is his Metamorphoses, not less extraordinary for the nature of the subject, than for the admirable art with which the whole is conducted. The work is founded upon the traditions and theogony of the ancients, which consisted of various detached fables. Those Ovid has not only so happily arranged, that they form a coherent series of narratives, one rising out of another; but he describes the different changes with