NERO CLAUDIUS CAESAR.

the narrow and winding streets, he set the city on fire so openly, that many of consular rank caught his own household servants on their property with tow, and (368) torches in their hands, but durst not meddle with them. There being near his Golden House some granaries, the site of which he exceedingly coveted, they were battered as if with machines of war, and set on fire, the walls being built of stone. During six days and seven nights this terrible devastation continued, the people being obliged to fly to the tombs and monuments for lodging and shelter. Meanwhile, a vast number of stately buildings, the houses of generals celebrated in former times, and even then still decorated with the spoils of war, were laid in ashes; as well as the temples of the gods, which had been vowed and dedicated by the kings of Rome, and afterwards in the Punic and Gallic wars: in short, everything that was remarkable and worthy to be seen which time had spared 614. This fire he beheld from a tower in the house of Mecaenas, and “being greatly delighted,” as he said, “with the beautiful effects of the conflagration,” he sung a poem on the ruin of Troy, in the tragic dress he used on the stage. To turn this calamity to his own advantage by plunder and rapine, he promised to remove the bodies