talents by the emperor and his minister. This was a principle of the most powerful energy: it fanned the flame of genius, invigorated every exertion; and the poets who basked in the rays of imperial favour, and the animating patronage of Mecaenas, experienced a poetic enthusiasm which approached to real inspiration.
Having now finished the proposed explanation, relative to the celebrity of the Augustan age, we shall conclude with recapitulating in a few words the causes of this extraordinary occurrence.
The models, then, which the Romans derived from Grecian poetry, were the finest productions of human genius; their incentives to emulation were the strongest that could actuate the heart.
With ardour, therefore, and industry in composing, and with unwearied patience in polishing their compositions, they attained to that glorious distinction in literature, which no succeeding age has ever rivalled.
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