sung in a solemn procession of the Salii; that crowns of oak, in allusion to his victories, should be placed upon curule chairs in the hall pertaining to the priests of Augustus; and that an effigy of him in ivory should be drawn upon a chariot, preceding the ceremonies of the Circensian games. Triumphal arches were erected, one at Rome, another on the banks of the Rhine, and a third upon Mount Amanus in Syria, with inscriptions of his achievements, and that he died for his services to the republic. 376
His obsequies were celebrated, not with the display of images and funeral pomp, but with the recital of his praises and the virtues which rendered him illustrious. From a resemblance in his personal accomplishments, his age, the manner of his death, and the vicinity of Daphne to Babylon, many compared his fate to that of Alexander the Great. He was celebrated for humanity and benevolence, as well as military talents, and amidst the toils of war, found leisure to cultivate the arts of literary genius. He composed two comedies in Greek, some epigrams, and a translation of Aratus into Latin verse. He married Agrippina, the daughter of M. Agrippa, by whom he had nine children. This lady, who had accompanied her husband into the east, carried his ashes to Italy, and accused his murderer, Piso; who, unable to bear up against the public odium incurred by that transaction, laid violent hands upon himself. Agrippina was now nearly in the same predicament with regard to Tiberius, that Ovid had formerly been in respect of Augustus. He was sensible, that when she accused Piso, she was not ignorant of the person by whom