The poet MARTIAL, surnamed likewise Coquus, was born at Bilbilis, in Spain, of obscure parents. At the age of twenty-one, he came to Rome, where he lived during five-and-thirty years under the emperors Galba, Otho, Vitellius, the two Vespasians, Domitian, Nerva, and the beginning of the reign of Trajan. He was the panegyrist of several of those emperors, by whom he was liberally rewarded, raised to the Equestrian order, and promoted by Domitian to the tribuneship; but being treated with coldness and neglect by Trajan, he returned to his native country, and, a few years after, ended his days, at the age of seventy-five.
He had lived at Rome in great splendour and affluence, as well as in high esteem for his poetical talents; but upon his return to Bilbilis, it is said that he experienced a great reverse of fortune, and was chiefly indebted for his support to the gratuitous benefactions of Pliny the Younger, whom he had extolled in some epigrams.
The poems of Martial consist of fourteen books, all written in the epigrammatic form, to which species of composition, introduced by the Greeks, he had a peculiar propensity. Amidst such a multitude of verses, on a variety of subjects, often composed extempore, and many of them, probably, in the moments of fashionable dissipation, it is not surprising that we find a large number unworthy the genius of the author. Delicacy, and even decency, is often violated in the productions of Martial. Grasping at every thought which afforded even the shadow of ingenuity, he gave unlimited scope to the exercise of an active and fruitful imagination. In respect to composition, he is likewise liable to censure. At one time he wearies, and at another tantalises the reader, with the prolixity or ambiguity of his preambles. His prelusive sentiments are sometimes far-fetched, and converge not with a natural declination into the focus of epigram. In dispensing praise and censure, he often seems to be governed more by prejudice or policy, than by justice and truth; and he is more constantly attentive to the production of wit, than to the improvement of morality.