a power in Cambridge, he could make and bar and destroy, and in a way he has become the quintessence of Cambridge in my thoughts.
I see him on his way to the morning's lecture, with his plump childish face, his round innocent eyes, his absurdly non-prehensile fat hand carrying his cap, his grey trousers braced up much too high, his feet a trifle inturned, and going across the great court with a queer tripping pace that seemed cultivated even to my naive undergraduate eye. Or I see him lecturing. He lectured walking up and down between the desks, talking in a fluting rapid voice, and with the utmost lucidity. If he could not walk up and down he could not lecture. His mind and voice had precisely the fluid quality of some clear subtle liquid; one felt it could flow round anything and overcome nothing. And its nimble eddies were wonderful! Or again I recall him drinking port with little muscular movements in his neck and cheek and chin and his brows knit—very judicial, very concentrated, preparing to say the apt just thing; it was the last thing he would have told a lie about.
When I think of Codger I am reminded of an inscription I saw on some occasion in Regent's Park above two eyes scarcely more limpidly innocent than his—“Born in the Menagerie.” Never once since Codger began to display the early promise of scholarship at the age of eight or more, had he been outside the bars. His utmost travel had been to lecture here and lecture there. His student phase had culminated in papers of quite exceptional brilliance, and he had gone on to lecture with a cheerful combination of wit and mannerism that had made him a success from the beginning. He has lectured ever since. He lectures still. Year by year he has become plumper, more