hills of the south country, dodged trains at manifestly dangerous level crossings, and surveyed across dark intervening spaces, the flaming uproar, the gnome-like activities of iron foundries. I heard talk of strikes and rumours of strikes, and learnt from the columns of some obscure labour paper I bought one day, of the horrors of the lead poisoning that was in those days one of the normal risks of certain sorts of pottery workers. Then back I came, by the ugly groaning and clanging steam train of that period, to my uncle's house and lavish abundance of money and more or less furtive flirtations and the tinkle of Moskowski and Chaminade. It was, I say, diagrammatic. One saw the expropriator and the expropriated—as if Marx had arranged the picture. It was as jumbled and far more dingy and disastrous than any of the confusions of building and development that had surrounded my youth at Bromstead and Penge, but it had a novel quality of being explicable. I found great virtue in the word “exploitation.”
There stuck in my mind as if it was symbolical of the whole thing the twisted figure of a man, whose face had been horribly scalded—I can't describe how, except that one eye was just expressionless white—and he ground at an organ bearing a card which told in weak and bitterly satirical phrasing that he had been scalded by the hot water from the tuyeres of the blast furnace of Lord Pandram's works. He had been scalded and quite inadequately compensated and dismissed. And Lord Pandram was worth half a million.
That upturned sightless white eye of his took possession of my imagination. I don't think that even then I was swayed by any crude melodramatic conception of injustice. I was quite prepared to believe the card wasn't a punctiliously accurate statement of