instincts for the business. We meant to make the paper right and good down to the smallest detail, and we set ourselves at this with extraordinary zeal. It wasn't our intention to show our political motives too markedly at first, and through all the dust storm and tumult and stress of the political struggle of 1910, we made a little intellectual oasis of good art criticism and good writing. It was the firm belief of nearly all of us that the Lords were destined to be beaten badly in 1910, and our game was the longer game of reconstruction that would begin when the shouting and tumult of that immediate conflict were over. Meanwhile we had to get into touch with just as many good minds as possible.
As we felt our feet, I developed slowly and carefully a broadly conceived and consistent political attitude. As I will explain later, we were feminist from the outset, though that caused Shoesmith and Gane great searching of heart; we developed Esmeer's House of Lords reform scheme into a general cult of the aristocratic virtues, and we did much to humanise and liberalise the narrow excellencies of that Break-up of the Poor Law agitation, which had been organised originally by Beatrice and Sidney Webb. In addition, without any very definite explanation to any one but Esmeer and Isabel Rivers, and as if it was quite a small matter, I set myself to secure a uniform philosophical quality in our columns.
That, indeed, was the peculiar virtue and characteristic of the BLUE WEEKLY. I was now very definitely convinced that much of the confusion and futility of contemporary thought was due to the general need of metaphysical training.... The great mass of people—and not simply common people, but people active and influential in intellectual things—are still quite untrained in the methods of thought and absolutely innocent of any criticism of method; it is scarcely a caricature to call their thinking a crazy