was an inelegant or unbeautiful woman, and she is inconceivable to me in high collars or any sort of masculine garment. But her soul was bony, and at the base of her was a vanity gaunt and greedy! When she wasn't in a state of personal untidiness that was partly a protest against the waste of hours exacted by the toilet and partly a natural disinclination, she had a gypsy splendour of black and red and silver all her own. And somewhen in the early nineties she met and married Bailey.
I know very little about her early years. She was the only daughter of Sir Deighton Macvitie, who applied the iodoform process to cotton, and only his subsequent unfortunate attempts to become a Cotton King prevented her being a very rich woman. As it was she had a tolerable independence. She came into prominence as one of the more able of the little shoal of young women who were led into politico-philanthropic activities by the influence of the earlier novels of Mrs. Humphry Ward—the Marcella crop. She went “slumming” with distinguished vigour, which was quite usual in those days—and returned from her experiences as an amateur flower girl with clear and original views about the problem—which is and always had been unusual. She had not married, I suppose because her standards were high, and men are cowards and with an instinctive appetite for muliebrity. She had kept house for her father by speaking occasionally to the housekeeper, butler and cook her mother had left her, and gathering the most interesting dinner parties she could, and had married off four orphan nieces in a harsh and successful manner. After her father's smash and death she came out as a writer upon social questions and a scathing critic of the Charity Organisation Society, and she was three and thirty and