so to speak, were at times as dreadful as—well, War Office barrack architecture. A caricature by its exaggerated statements will sometimes serve to point a truth by antagonising falsity and falsity. I remember talking to a prominent museum official in need of more public funds for the work he had in hand. I mentioned the possibility of enlisting Bailey's influence.
“Oh, we don't want Philistines like that infernal Bottle-Imp running us,” he said hastily, and would hear of no concerted action for the end he had in view. “I'd rather not have the extension.
“You see,” he went on to explain, “Bailey's wanting in the essentials.”
“What essentials?” said I.
“Oh! he'd be like a nasty oily efficient little machine for some merely subordinate necessity among all my delicate stuff. He'd do all we wanted no doubt in the way of money and powers—and he'd do it wrong and mess the place for ever. Hands