that were, we knew, no more than shapes painted on a curtain that was presently to be torn aside....
It was Hatherleigh's poster and his capacity for overstating things, I think, that first qualified my simple revolutionary enthusiasm. Perhaps also I had met with Fabian publications, but if I did I forget the circumstances. And no doubt my innate constructiveness with its practical corollary of an analytical treatment of the material supplied, was bound to push me on beyond this melodramatic interpretation of human affairs.
I compared that Working Man of the poster with any sort of working man I knew. I perceived that the latter was not going to change, and indeed could not under any stimulus whatever be expected to change, into the former. It crept into my mind as slowly and surely as the dawn creeps into a room that the former was not, as I had at first rather glibly assumed, an “ideal,” but a complete misrepresentation of the quality and possibilities of things.
I do not know now whether it was during my school-days or at Cambridge that I first began not merely to see the world as a great contrast of rich and poor, but to feel the massive effect of that multitudinous majority of people who toil continually, who are for ever anxious about ways and means, who are restricted, ill clothed, ill fed and ill housed, who have limited outlooks and continually suffer misadventures, hardships and distresses through the want of money. My lot had fallen upon the fringe of the possessing minority; if I did not know the want of necessities I knew shabbiness, and the world that let me go on to a university education intimated very plainly that there was not a thing beyond the primary needs that my stimulated imagination might demand that it would not be an effort for me to