but an instinct for lawlessness that drives you. You remind me—do you remember?—of that time we went from Naples to Vesuvius, and walked over the hot new lava there. Do you remember how tired I was? I know it disappointed you that I was tired. One walked there in spite of the heat because there was a crust; like custom, like law. But directly a crust forms on things, you are restless to break down to the fire again. You talk of beauty, both of you, as something terrible, mysterious, imperative. YOUR beauty is something altogether different from anything I know or feel. It has pain in it. Yet you always speak as though it was something I ought to feel and am dishonest not to feel. MY beauty is a quiet thing. You have always laughed at my feeling for old-fashioned chintz and blue china and Sheraton. But I like all these familiar USED things. My beauty is STILL beauty, and yours, is excitement. I know nothing of the fascination of the fire, or why one should go deliberately out of all the decent fine things of life to run dangers and be singed and tormented and destroyed. I don't understand....”
6
I remember very freshly the mood of our departure from London, the platform of Charing Cross with the big illuminated clock overhead, the bustle of porters and passengers with luggage, the shouting of newsboys and boys with flowers and sweets, and the groups of friends seeing travellers off by the boat train. Isabel sat very quiet and still in the compartment, and I stood upon the platform with the door open, with a curious reluctance to take the last step that should sever me