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nydus/The New MachiavelliPublic
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CHAPTER THE FIRST ~~ THE RIDDLE FOR THE STATESMAN

but men who matter—the desolating emptiness that spreads itself round the man who fails to interest, the little compact, disciplined crowd in the strangers' gallery, the light, elusive, flickering movements high up behind the grill, the wigged, attentive, weary Speaker, the table and the mace and the chapel-like Gothic background with its sombre shadows, conspire together, produce a confused, uncertain feeling in me, as though I was walking upon a pavement full of trap-doors and patches of uncovered morass. A misplaced, well-meant “Hear, Hear!” is apt to be extraordinarily disconcerting, and under no other circumstances have I had to speak with quite the same sideways twist that the arrangement of the House imposes. One does not recognise one's own voice threading out into the stirring brown. Unless I was excited or speaking to the mind of some particular person in the house, I was apt to lose my feeling of an auditor. I had no sense of whither my sentences were going, such as one has with a public meeting well under one's eye. And to lose one's sense of an auditor is for a man of my temperament to lose one's sense of the immediate, and to become prolix and vague with qualifications.

5

My discontents with the Liberal party and my mental exploration of the quality of party generally is curiously mixed up with certain impressions of things and people in the National Liberal Club. The National Liberal Club is Liberalism made visible in the flesh—and Doultonware. It is an extraordinary big club done in a bold, wholesale, shiny, marbled style, richly furnished with numerous paintings, steel engravings, busts, and full-length statues of the late Mr. Gladstone; and its spacious dining-rooms, its long, hazy, crowded smoking-room with innumerable little tables and groups of men in armchairs, its magazine

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