“About this time, and when he had been existing for upwards of a year no one knew how, I had a short engagement at one of the theatres on the Surrey side of the water, and here I saw this man, whom I had lost sight of for some time; for I had been travelling in the provinces, and he had been skulking in the lanes and alleys of London. I was dressed to leave the house, and was crossing the stage on my way out, when he tapped me on the shoulder. Never shall I forget the repulsive sight that met my eye when I turned round. He was dressed for the pantomimes in all the absurdity of a clown’s costume. The spectral figures in the Dance of Death, the most frightful shapes that the ablest painter ever portrayed on canvas, never presented an appearance half so ghastly. His bloated body and shrunken legs⁠—their deformity enhanced a hundredfold by the fantastic dress⁠—the glassy eyes, contrasting fearfully with the thick white paint with which the face was besmeared; the grotesquely-ornamented head, trembling with paralysis, and the long skinny hands, rubbed with white chalk⁠—all gave him a hideous and unnatural appearance, of which no description could convey an adequate idea, and which, to this day, I shudder to think of.