The dressing of her hair puzzled me; she had plenty of it; auburn, unmixed with grey: though she was forty years old. Seeing my embarrassment, she said, “You have not been a femme-de-chambre in your own country?” And taking the brush from my hand and setting me aside, not ungently or disrespectfully, she arranged it herself. In performing other offices of the toilet, she half-directed, half-aided me, without the least display of temper or impatience. N.B. that was the first and last time I was required to dress her. Henceforth, on Rosine, the portress, devolved that duty.

When attired, Madame Beck appeared a personage of a figure rather short and stout, yet still graceful in its own peculiar way; that is, with the grace resulting from proportion of parts. Her complexion was fresh and sanguine, not too rubicund; her eye, blue and serene; her dark silk dress fitted her as a French sempstress alone can make a dress fit; she looked well, though a little bourgeoise; as bourgeoise, indeed, she was. I know not what of harmony pervaded her whole person; and yet her face offered contrast, too: its features were by no means such as are usually seen in conjunction with a complexion of such blended freshness and repose: their outline was stern: her forehead was high but narrow; it expressed capacity and some benevolence, but no expanse; nor did her peaceful yet watchful eye ever know the fire which is kindled in the heart or the softness which flows thence. Her mouth was hard: it could be a little grim; her lips were thin. For sensibility and genius, with all their tenderness and temerity, I felt somehow that Madame would be the right sort of Minos in petticoats.