“place of the Holy Trinity.” The etymology is vague, but would appear to apply to duality rather than trinity, a suggestion which is buttressed by the androgynous character of the creative deities. In an accompanying picture he points out the various departments of this heaven as “the Red Heaven,” “the Yellow Heaven,” “the White Heaven.” Young children, he says, went to a specific paradise, but it was thought that they would return to re-people the world after the third destruction. They were nourished by a milk-giving tree round which they were seated, getting suck from the branches.
But we have glimpses here and there in Aztec literature of a much more elaborate series of heavens, thirteen in number. The first contained certain planets, the second was the home of the Tzitzimimê, who included many of the great gods, the third that of the Centzon Mimixcoa, or star-warriors, who were many-coloured—yellow, black, white, red, blue—and provided the sun with food in the shape of blood. The fourth was inhabited by birds, the fifth by fire-snakes (perhaps comets), the sixth was the home of the winds, the seventh harboured dust, and in the eighth dwelt the gods. The remainder were placed at the disposal of the high primal and creative gods Tonacatecutli and his spouse Tonacaciuatl, whose abode proper was in the thirteenth and highest heaven.34
MICTLAMPA AS HADES
The Hades of the Aztec race was Mictlampa, presided over by Mictlantecutli (Lord of Mictlampa) and his spouse (Mictecaciuatl). The souls of the defunct who fared thither were those who died of disease, chiefs, great personages, or humbler folk. On the day of death the priest harangued the deceased, telling him that he was about to go to a region “where there is neither light nor window,” and where all was shadow, a veritable land of gloom, the passage to which swarmed with grisly forms inimical to the soul. It was a vast, trackless, and gloomy desert, having