As the rabbi previously quoted showed, the Jews got what they wanted from the producers as soon as they made their request.
What have the non-Jewish teachers, women’s clubs, newspaper editors, police officers and judges, ministers of religion, physicians, and just plain parents of the rising generation—what have they obtained for all their complaints and protests?
Nothing! And they can go on beating the air for a lifetime and still obtain no improvement, unless they face the unpleasant racial fact that the movies are Jewish. It is not a question of morals—that question has been settled; it is a question of management.
When the people know who and what is this intangible influence we call the “movies,” the problem may not appear so baffling.
\ Issue of February 12, 1921.
Jewish Supremacy in Motion Picture World A LITTLE “Who’s Who in the Motion Picture Industry” would make a valuable department in the movie theaters’ printed programs, but it is not pleasant to think of what would happen to the manager who should print one. There is a strange