Who stands at the apex of this mountain of con¬ trol? It is stated in the sentence: The motion pic¬ ture influence of the United States—and Canada—is exclusively under the control, moral and financial, of the Jewish manipulators of the public mind.
Jews did not invent the art of motion photography; they have contributed next to nothing to its mechan¬ ical or technical improvement; they have not produced any of the great artists, either writers or actors, which have furnished the screen with its material. Motion photography, like most other useful things in the world, is of non-Jewish origin. But by the singular destiny which has made the Jews the great cream- skimmers of the world, the benefit of it has gone not to the originators, but to the usurpers, the exploiters.
Who is who in the motion picture world? The names of the leading producing companies are widely known: The Famous Players; Selznick; Selwyn; Goldwyn; Fox Film Company; The Jesse L. Lasky Feature Play Company; United Artists7 Corporation; The Universal Film Company; The Metro; Vitagraph; Seligs; Thomas H. Ince Studios; Artcraft; Paramount, and so on.
The Famous Players is headed by Adolph Zukor. Mr. Zukor is a Hungarian Jew. He was a fur dealer in Hester street, and is said to have gone from house to house selling his goods. With his first savings he went into the “nicker7 theater business with Marcus Loew. Fie is still in his forties and immensely wealthy. He is conceded to be the leader of the fifth largest in¬ dustry in the world—an industry which is really the greatest educational and propagandist device ever dis¬ covered.
The reader will not be deceived by the use of the word “educational77 in this connection. Movies are educational, but so are schools of crime. It is just because the movies are educational in a menacing way that they come in for scrutiny.