In reality, of all the Russian entertainments the prince liked best French actresses and ballet dancers and white-seal champagne. Vronsky was used to princes, but, either because he had himself changed of late, or that he was in too close proximity to the prince, that week seemed fearfully wearisome to him. The whole of that week he experienced a sensation such as a man might have set in charge of a dangerous madman, afraid of the madman, and at the same time, from being with him, fearing for his own reason. Vronsky was continually conscious of the necessity of never for a second relaxing the tone of stern official respectfulness, that he might not himself be insulted. The prince’s manner of treating the very people who, to Vronsky’s surprise, were ready to descend to any depths to provide him with Russian amusements, was contemptuous. His criticisms of Russian women, whom he wished to study, more than once made Vronsky crimson with indignation. The chief reason why the prince was so particularly disagreeable to Vronsky was that he could not help seeing himself in him. And what he saw in this mirror did not gratify his self-esteem. He was a very stupid and very self-satisfied and very healthy and very well-washed man, and nothing else.