“Yes; but in that case, if you will allow me to say what I think.⁠ ⁠… Your picture is so fine that my observation cannot detract from it, and, besides, it is only my personal opinion. With you it is different. Your very motive is different. But let us take Ivanov. I imagine that if Christ is brought down to the level of an historical character, it would have been better for Ivanov to select some other historical subject, fresh, untouched.”

“But if this is the greatest subject presented to art?”

“If one looked one would find others. But the point is that art cannot suffer doubt and discussion. And before the picture of Ivanov the question arises for the believer and the unbeliever alike, ‘Is it God, or is it not God?’ and the unity of the impression is destroyed.”

“Why so? I think that for educated people,” said Mihailov, “the question cannot exist.”

Golenishtchev did not agree with this, and confounded Mihailov by his support of his first idea of the unity of the impression being essential to art.