Here one curses her and calls her capricious, fickle, and immodest, there another condemns her as frail and frivolous; this pardons and absolves her, that spurns and reviles her; one extols her beauty, another assails her character, and in short all abuse her, and all adore her, and to such a pitch has this general infatuation gone that there are some who complain of her scorn without ever having exchanged a word with her, and even some that bewail and mourn the raging fever of jealousy, for which she never gave anyone cause, for, as I have already said, her misconduct was known before her passion. There is no nook among the rocks, no brookside, no shade beneath the trees that is not haunted by some shepherd telling his woes to the breezes; wherever there is an echo it repeats the name of Leandra; the mountains ring with “Leandra,” “Leandra” murmur the brooks, and Leandra keeps us all bewildered and bewitched, hoping without hope and fearing without knowing what we fear. Of all this silly set the one that shows the least and also the most sense is my rival Anselmo, for having so many other things to complain of, he only complains of separation, and to the accompaniment of a rebeck, which he plays admirably, he sings his complaints in verses that show his ingenuity.