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nydus/Don QuixotePublic

A mad knight-errant and his down-to-earth squire encounter adventure in the Spanish countryside.

Page 677 of 1306
Table of Contents

I

it gives us the history of that big Philistine, Goliath, who was seven cubits and a half in height, which is a huge size. Likewise, in the island of Sicily, there have been found leg-bones and arm-bones so large that their size makes it plain that their owners were giants, and as tall as great towers; geometry puts this fact beyond a doubt. But, for all that, I cannot speak with certainty as to the size of Morgante, though I suspect he cannot have been very tall; and I am inclined to be of this opinion because I find in the history in which his deeds are particularly mentioned, that he frequently slept under a roof and as he found houses to contain him, it is clear that his bulk could not have been anything excessive.”

“That is true,” said the curate, and yielding to the enjoyment of hearing such nonsense, he asked him what was his notion of the features of Reinaldos of Montalbán, and Don Roland and the rest of the Twelve Peers of France, for they were all knights-errant.

“As for Reinaldos,” replied Don Quixote, “I venture to say that he was broad-faced, of ruddy complexion, with roguish and somewhat prominent eyes, excessively punctilious and touchy, and given to the society of thieves and scapegraces. With regard to Roland, or Rotolando, or Orlando (for the histories call him by all these names), I am of opinion, and hold, that he was of middle height, broad-shouldered, rather bowlegged, swarthy-complexioned, red-bearded, with a hairy body and a severe expression of countenance, a man of few words, but very polite and well-bred.”

“If Roland was not a more graceful person than your worship has described,” said the curate, “it is no wonder that the fair Lady Angelica rejected him and left him for the gaiety, liveliness, and grace of that budding-bearded little Moor to whom she surrendered herself; and she showed her sense in falling in love with the gentle softness of Medoro rather than the roughness of Roland.”

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