it stood was of the same material, with four eagles’ claws projecting from it to support the weight more steadily. The head, which resembled a bust or figure of a Roman emperor, and was coloured like bronze, was hollow throughout, as was the table, into which it was fitted so exactly that no trace of the joining was visible. The pedestal of the table was also hollow and communicated with the throat and neck of the head, and the whole was in communication with another room underneath the chamber in which the head stood. Through the entire cavity in the pedestal, table, throat and neck of the bust or figure, there passed a tube of tin carefully adjusted and concealed from sight. In the room below corresponding to the one above was placed the person who was to answer, with his mouth to the tube, and the voice, as in an ear-trumpet, passed from above downwards, and from below upwards, the words coming clearly and distinctly; it was impossible, thus, to detect the trick. A nephew of Don Antonio’s, a smart sharp-witted student, was the answerer, and as he had been told beforehand by his uncle who the persons were that would come
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