“Have I not told thee,” answered Don Quixote, “that I mean to imitate Amadís here, playing the victim of despair, the madman, the maniac, so as at the same time to imitate the valiant Don Roland, when at the fountain he had evidence of the fair Angelica having disgraced herself with Medoro and through grief thereat went mad, and plucked up trees, troubled the waters of the clear springs, slew shepherds, destroyed flocks, burned down huts, levelled houses, dragged mares after him, and perpetrated a hundred thousand other outrages worthy of everlasting renown and record? And though I have no intention of imitating Roland, or Orlando, or Rotolando (for he went by all these names), step by step in all the mad things he did, said, and thought, I will make a rough copy to the best of my power of all that seems to me most essential; but perhaps I shall content myself with the simple imitation of Amadís, who without giving way to any mischievous madness but merely to tears and sorrow, gained as much fame as the most famous.”