Following these there came an artistic dance of the sort they call “speaking dances.” It was composed of eight nymphs in two files, with the god Cupid leading one and Interest the other, the former furnished with wings, bow, quiver and arrows, the latter in a rich dress of gold and silk of divers colours. The nymphs that followed Love bore their names written on white parchment in large letters on their backs. “Poetry” was the name of the first, “Wit” of the second, “Birth” of the third, and “Valour” of the fourth. Those that followed Interest were distinguished in the same way; the badge of the first announced “Liberality,” that of the second “Largess,” the third “Treasure,” and the fourth “Peaceful Possession.” In front of them all came a wooden castle drawn by four wild men, all clad in ivy and hemp stained green, and looking so natural that they nearly terrified Sancho. On the front of the castle and on each of the four sides of its frame it bore the inscription “Castle of Caution.” Four skillful tabor and flute players accompanied them, and the dance having been opened, Cupid, after executing two figures, raised his eyes and bent his bow against a damsel who stood between the turrets of the castle, and thus addressed her: