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Francis Bacon critiques the limitations of both dogmatic philosophy and extreme skepticism in their approaches to understanding nature. He proposes a new method that prioritizes sensory perception and establishes a structured, certain path for the mind to follow.

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Table of Contents

APHORISMS—BOOK I ON THE INTERPRETATION OF NATURE AND THE EMPIRE OF MAN

present method; their next step, however, is to destroy the authority of the senses and understanding, while we invent and supply them with assistance.

XXXVIII. The idols and false notions which have already preoccupied the human understanding, and are deeply rooted in it, not only so beset men’s minds that they become difficult of access, but even when access is obtained will again meet and trouble us in the instauration of the sciences, unless mankind when forewarned guard themselves with all possible care against them.

XXXIX. Four species of idols beset the human mind,9 to which (for distinction’s sake) we have assigned names, calling the first Idols of the Tribe, the second Idols of the Den, the third Idols of the Market, the fourth Idols of the Theatre.

XL. The formation of notions and axioms on the foundation of true induction is the only fitting remedy by which we can ward off and expel these idols. It is, however, of great service to point them out; for the doctrine of idols bears the same relation to the interpretation of nature as that of the confutation of sophisms does to common logic.10

XLI. The idols of the tribe are inherent in human nature and the very tribe or race of man; for man’s sense is falsely asserted to be the standard of things; on the contrary, all the perceptions both of the senses and the mind bear reference to man and not to the universe, and the human mind resembles those uneven mirrors which impart their own properties to different objects, from which rays are emitted and distort and disfigure them.11

XLII. The idols of the den are those of each individual; for everybody (in addition to the errors common to the race of man) has his own individual den or cavern, which intercepts and corrupts the light of nature, either from his own peculiar and singular disposition, or from his

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