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Francis Bacon critiques the limitations of both dogmatic philosophy and extreme skepticism in their approaches to understanding nature. He proposes a new method that prioritizes sensory perception and establishes a structured, certain path for the mind to follow.

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Table of Contents

APHORISMS—BOOK I ON THE INTERPRETATION OF NATURE AND THE EMPIRE OF MAN

CXVII. And, as we pretend not to found a sect, so do we neither offer nor promise particular effects; which may occasion some to object to us, that since we so often speak of effects, and consider everything in its relation to that end, we ought also to give some earnest of producing them. Our course and method, however (as we have often said, and again repeat), is such as not to deduce effects from effects, nor experiments from experiments (as the empirics do), but in our capacity of legitimate interpreters of nature, to deduce causes and axioms from effects and experiments; and new effects and experiments from those causes and axioms.

And although any one of moderate intelligence and ability will observe the indications and sketches of many noble effects in our tables of inventions (which form the fourth part of the Instauration), and also in the examples of particular instances cited in the second part, as well as in our observations on history (which is the subject of the third part); yet we candidly confess that our present natural history, whether compiled from books or our own inquiries, is not sufficiently copious and well ascertained to satisfy, or even assist, a proper interpretation.

If, therefore, there be any one who is more disposed and prepared for mechanical art, and ingenious in discovering effects, than in the mere management of experiment, we allow him to employ his industry in gathering many of the fruits of our history and tables in this way, and applying them to effects, receiving them as interest till he can obtain the principal. For our own part, having a greater object in view, we condemn all hasty and premature rest in such pursuits as we would Atalanta’s apple (to use a common allusion of ours); for we are not childishly ambitious of golden fruit, but use all our efforts to make the course of art outstrip nature, and we hasten not to reap moss or the green blade, but wait for a ripe harvest.

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