CodalSearch this book — or all of Codal…⌘K
nydus/Novum organumPublic

Francis Bacon critiques the limitations of both dogmatic philosophy and extreme skepticism in their approaches to understanding nature. He proposes a new method that prioritizes sensory perception and establishes a structured, certain path for the mind to follow.

Page 57 of 375
Table of Contents

APHORISMS—BOOK I ON THE INTERPRETATION OF NATURE AND THE EMPIRE OF MAN

despair of the means of invention and contrivance, which would not only confound the promises of hope, but cut the very springs and sinews of industry, and throw aside even the chances of experience. The only object of such philosophers is to acquire the reputation of perfection for their own art, and they are anxious to obtain the most silly and abandoned renown, by causing a belief that whatever has not yet been invented and understood can never be so hereafter. But if any one attempt to give himself up to things, and to discover something new; yet he will only propose and destine for his object the investigation and discovery of some one invention, and nothing more; as the nature of the magnet, the tides, the heavenly system, and the like, which appear enveloped in some degree of mystery, and have hitherto been treated with but little success. Now it is the greatest proof of want of skill, to investigate the nature of any object in itself alone; for that same nature, which seems concealed and hidden in some instances, is manifest and almost palpable in others, and excites wonder in the former, while it hardly attracts attention in the latter.51 Thus the nature of consistency is scarcely observed in wood or stone, but passed over by the term solid without any further inquiry about the repulsion of separation or the solution of continuity. But in water-bubbles the same circumstance appears matter of delicate and ingenious research, for they form themselves into thin pellicles, curiously shaped into hemispheres, so as for an instant to avoid the solution of continuity.

In general those very things which are considered as secret are manifest and common in other objects, but will never be clearly seen if the experiments and contemplation of man be directed to themselves only. Yet it commonly happens, that if, in the mechanical arts, any one bring old discoveries to a finer polish, or more elegant height of ornament, or unite and compound them, or apply them more readily to practice, or exhibit them on a less heavy and voluminous scale, and the like, they will pass off as new.

57