“Only from his face? Is that all the proof you have?”
“I have no other proof.”
“And of Smerdyakov’s guilt you have no proof whatever but your brother’s word and the expression of his face?”
“No, I have no other proof.”
The prosecutor dropped the examination at this point. The impression left by Alyosha’s evidence on the public was most disappointing. There had been talk about Smerdyakov before the trial; someone had heard something, someone had pointed out something else, it was said that Alyosha had gathered together some extraordinary proofs of his brother’s innocence and Smerdyakov’s guilt, and after all there was nothing, no evidence except certain moral convictions so natural in a brother.
But Fetyukovitch began his cross-examination. On his asking Alyosha when it was that the prisoner had told him of his hatred for his father and that he might kill him, and whether he had heard it, for instance, at their last meeting before the catastrophe, Alyosha started as he answered, as though only just recollecting and understanding something.
“I remember one circumstance now which I’d quite forgotten myself. It wasn’t clear to me at the time, but now—”
And, obviously only now for the first time struck by an idea, he recounted eagerly how, at his last interview with Mitya that evening under the tree, on the road to the monastery, Mitya had struck himself on the breast, “the upper part of the breast,” and had repeated several times that he had a means of regaining his honor, that that means was here, here on his breast. “I thought, when he struck himself on the breast, he meant that it was in his heart,” Alyosha continued, “that he