Suddenly she might say to him: “Go away. I have just come to terms with Fyodor Pavlovitch. I am going to marry him and don’t want you”⁠—and then⁠ ⁠… but then.⁠ ⁠… But Mitya did not know what would happen then. Up to the last hour he didn’t know. That must be said to his credit. He had no definite intentions, had planned no crime. He was simply watching and spying in agony, while he prepared himself for the first, happy solution of his destiny. He drove away any other idea, in fact. But for that ending a quite different anxiety arose, a new, incidental, but yet fatal and insoluble difficulty presented itself.

If she were to say to him: “I’m yours; take me away,” how could he take her away? Where had he the means, the money to do it? It was just at this time that all sources of revenue from Fyodor Pavlovitch, doles which had gone on without interruption for so many years, ceased. Grushenka had money, of course, but with regard to this Mitya suddenly evinced extraordinary pride; he wanted to carry her away and begin the new life with her himself, at his own expense, not at hers. He could not conceive of taking her money, and the very idea caused him a pang of intense repulsion. I won’t enlarge on this fact or analyze it here, but confine myself to remarking that this was his attitude at the moment. All this may have arisen indirectly and unconsciously from the secret stings of his conscience for the money of Katerina Ivanovna that he had dishonestly appropriated. “I’ve been a scoundrel to one of them, and I shall be a scoundrel again to the other directly,” was his feeling then, as he explained after: “and when Grushenka knows, she won’t care for such a scoundrel.”

Where then was he to get the means, where was he to get the fateful money? Without it, all would be lost and nothing could be done, “and only because I hadn’t the money. Oh, the shame of it!”

To anticipate things: he did, perhaps, know where to get the money, knew, perhaps, where it lay at that moment. I will say no more of this